ACDSee Pro Blog Archives

Archive for the ‘Cameras’ Category

Shooting in Variable Light: Tricks of the Trade

Thursday, March 26th, 2009 by Serge

Shooting in a studio has its advantages, and one of the biggest ones is that you have control of lighting—you set the intensity, the color, the shadows, and you stay in command throughout the shoot. Basically, you can make the light adapt to whatever scene you wish to illuminate, in whatever manner you’d like. When you’re outside of a controlled environment, however, you are at the mercy of the “ambient” lighting conditions and you must adapt to them.

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Let It Snow …

Thursday, January 15th, 2009 by Serge

Winter shooting means preparing to deal with off-kilter white balances, especially when you take photos in the snow and use an auto-white balance setting. Snow, in particular, causes an auto setting to produce a gray tone in the photo, such as seen in this simple but very snowy snapshot:

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Optimizing Low-Light Photography

Wednesday, October 15th, 2008 by Serge

I was recently asked to create a slide show for a photographer friend who shoots a lot of weddings. His images for this particular event, taken about a year ago, were the standard mix of wedding photos—ceremony, formals, reception—but were taken with several different digital cameras (he often uses an assistant to shoot, also). One of the cameras was a newer model, and another was probably three or four years old. I was, in a word, stunned at the difference in lower-light image quality produced by the two cameras, both of which were set to the same exposure. Notably, the older camera exhibited a tremendous amount of noise.

Cameras are designed to detect light, and much of the effort in digital image sensing technology development over the last five years has focused on improving low-light sensitivity with minimal amounts of digital noise. For example, the Canon 1D Mark III, with an ISO capability ranging to ISO6400, shows far less digital noise on images taken in low light at, say ISO 1000 than an earlier model of the 1D series or, for example, a Canon 10D. Nikon has made similar developments in its image sensors, over about the same time period (but I’m more hard-pressed to give you specifics, since I exclusively shoot Canon).

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Workflow in a Flash

Thursday, August 14th, 2008 by Serge

Occasionally you may need to get photos processed in a big hurry. Here at the 2008 Beijing Olympic Games, I have several clients who need photos less than 20 minutes after a fencing match has concluded in order to optimize their editorial image sales – a tall order, especially given that it can take almost ten minutes alone to get to my office in the Olympic fencing hall.

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Cutting Through the Haze

Friday, June 27th, 2008 by Serge

I’ve been traveling lately across the Western U.S., mostly in Nevada and California. Due to recent wildfires, there’s a tremendous amount of smoke and haze in the air that’s blocking some of the most beautiful scenery in the world. Some useful ACDSee tools, along with a few photography tips, can help “cut” the haze so that you can still get good photos–and maybe even use the haze to your advantage.

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RAW Support for New Camera Models!

Wednesday, June 18th, 2008 by

ACDSee 10 and ACDSee Pro 2 now support more camera RAW models than ever before!

ACD Systems is committed to releasing regular updates to our list of supported camera models. ACDSee 10 Photo Manager offers viewing and managing of supported camera RAW formats. ACDSee Pro 2 allows additional camera RAW functionality, including non-destructive RAW processing with complete precision and control.

The free RAW update is for ACDSee 10 Photo Manager and ACDSee Pro 2 in English, French and German and following camera models are included:

Canon EOS 450D/Digital Rebel XSi/EOS Kiss X2
Nikon D60
Panasonic Lumix DMC-L10
Pentax K20D
Pentax K200D
Sony A200
Sony A300

Download the RAW Plug-in Update to view, browse, manage and process RAW images from the listed cameras.

View the full list of supported camera RAW formats here. New RAW formats will be added regularly.